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The oscillators, filters and envelopes closely model components found in
some of the great monophonic and polyphonic synthesizers of yesteryear.
Modules can be mixed and matched so you can build hybrids, but what sets
DIVA apart is the sheer authenticity of the analogue sound. This comes at
the cost of quite a high CPU-hit, but we think it was worth it: Diva is the
first native software synth that applies methods from industrial circuit
simulators (e.g. PSpice) in realtime. The behaviour of zero-delay-feedback
filters when pushed to the limit clearly demonstrates the advantages of
this groundbreaking approach.
Zebra is our wireless modular synthesizer. It combines many different types
of synthesis with a powerful modulation engine. Imagine – you can create
any additive, freehand or spline-based waveform you like, apply a vast
selection of spectral effects, morph between those waves and send them
through classic synth filters. Perhaps use that entire sound as modulator
for an FM oscillator, or route it through a comb filter – the building
block of physical modeling synthesis. All generator modules, all signal
paths, all effects are stereo.
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